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Saturday, 13 April 2013

Alternate Best Actor 2010: Andy Serkis in Sex & Drugs & Rock & Roll

Posted on 18:17 by pollard
Andy Serkis did not receive an Oscar nomination, despite being nominated for a Bafta, for portraying Ian Dury in Sex & Drugs & Rock & Roll.

Sex & Drugs & Rock & Roll plays more of a tribute to English rocker Ian Dury more than anything else particularly with its abrupt ending. Although it tries a little too hard to be stylish at times, I must say I certainly enjoyed much more than Ray and Walk The Line.

Andy Serkis is best known for his motion capture performance especially as Gollum in the Lord of the Rings, but he managed to get a Bafta nomination for this strictly live action portrayal. He actually was nominated for the year of 2009 before the film actually had a public release date anywhere. The Bafta voters must have loved his performance to be quite so enthusiastic about it, or maybe they wanted to make up for the fact that they did not nominate him for best supporting actor for the Two Towers in 2002 despite having nominated Eddie Murphy for his voice only portrayal in Shrek in 2001.

Serkis plays Ian Dury who was apparently a famous face in Britain although I must admit I never heard of him before watching this film. Serkis takes on the role in a fashion of really inhabiting the role from Dury's accent, to his polio induced limp, and of course a very certain style. Serkis is completely natural in his portrayal and everything he does to become Dury merely feels like he becomes Dury. Never does his performance feel like that and he makes all his mannerisms all part of his total characterization. Serkis despite tasking himself with taking on the role of this very particular man he never seems like he is just trying to play the part like say Jamie Foxx did in Ray.

I have to give Serkis the utmost credit in his characterization as even though I had no idea who Dury was well watching the film, but Serkis did remind me of someone I saw in a film at one time before. I thought and who came to my mind was the shop keeper in a rather brief scene in the film of Judge Dredd. Well it turns out that shopkeeper was in fact played by Ian Dury. I have to praise Serkis a great deal here as he managed to remind me of Ian Dury through his performance even when I did not even recognize the name. That takes some doing, and it quite a testament to the strength of Serkis's portrayal where he so seamlessly establishes Dury's physical traits.

This particular biopic is quite different that the usual one in that it does not follow the rise to success heavy drug period, than either a comeback or death afterwards. This one follows a different approach kind of jumping around to times of success times of failures, times of warmth and times of heartbreak. It does not exactly sit on a single one for great deal of time, and even when it is focusing on one aspect it might cut to another, or at least a musical performance well doing so. Serkis really has to juggle the different directions the film takes to be able to bring out the emotional power in each of them, and actually he does this all fairly well.

Serkis moves from moment to moment all well and whatever he does always seems fitting for Dury. In the performance scenes Serkis really throws himself into them and has the presence he should. The musical scenes all on their own are very entertaining to watch by the way Serkis delivers in each of these scenes and they never feel repetitive as he does something unique in each one of these scenes. Serkis though does show these to be performances and properly dials down Dury in his personal scenes. He actually stays fairly restrained as Dury in his personal life, and really there is not an arc exactly with his performance. Yes there are ups and downs but the film and Serkis really portray them in a more day to day fashion.

Serkis taking the day to day approach for Dury actually works and he makes him just a normal human being through the way he deals with his own past as well as his present issues. Serkis meets the demands of every situation. In the scenes with Dury's family Serkis is very effective showing a great deal of warmth at times that is quite moving, but as well showing a certain self absorption that creates troubles. Serkis plays it all very realistically and makes all of the complexities of his relationships believable. The same goes in the scenes where he is working with his band. Serkis makes the temper tantrums as well as the moments of genuine creativity all work as the methods of one man.

Serkis's best moments come when Dury's reflects on his past involving his father and his troubles due to contracting polio. Again Serkis mixes the emotions brilliantly as he conveys the pain and sorrow in Dury over these matter, but in equal effectiveness shows the perseverance and strength in the man from his experiences as well. Serkis matches every challenge involved in the film's manner of telling Ian Dury's story quite efficiently. He is able to find the rhythm necessary for the part in terms of both Dury's public and private personality. This is very strong work from Andy Serkis showing that he is a capable actor both when he has the aid of computer graphics as well as in this film where he must stand entirely on his own.
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Posted in 2010 Alternate Best Actor, Andy Serkis | No comments

Thursday, 11 April 2013

Alternate Best Actor 2010: George Clooney in The American

Posted on 20:03 by pollard
George Clooney did not receive an Oscar nomination for portraying Jack in The American.

The American is the epitome of a slow burn which tells the story of an over the hill assassin doing one more job. I personally thought it is quite compelling and reminded of The Day of the Jackal in a good way. I can see why it is divisive as it does take its time.

George Clooney is not one of my favorite actors as you may have been able to decipher from my reviews of all of his Oscar nominated performances. All of four of his performances I felt lacked conviction in terms of trying to portray an actual character, and besides Syriana he relied to much on just his own personality. Then with Syriana he relied to much on his weight gain and one single expression to convey the troubles of his character. Clooney seems like an actor who just can do no right for me, well that is not true, and I believe that his work here actually vindicates by own opinions regarding his other performances, especially since this sort of is almost the exact type of performance he should have given in Syriana. 

Clooney plays here an assassin, and thankfully takes a decidedly non Clooney esque route for the character of Jack. From the first scene where Jack kills two potential assassins, and an innocent woman he was with, it is rather clear that this is a very different character for Clooney. Clooney also takes a very different approach here and manages to actually internalize the emotions within Jack, and realizes Jack as a character. Clooney never loses his character here and he always stays with Jack through the film never compromising once for his usual manner he takes with many of his performances. This time there is the conviction in his performance that brings Jack to life as a character, and makes him particularly compelling character at that.

Jack is in many ways much the Jackal so well played by Edward Fox in The Day of the Jackal. Clooney like Fox did in that other film about a meticulous assassination shows very much the attitude that the day to day hit man. Clooney like Fox did portrays the routine effectively, and properly shows the operatives history through the meticlous manner employed. It is quite nice to Clooney actually handle a role with so much subtlety, and for it to honestly pay off as it does here. Clooney is great in the manner that he brings in through his eyes that fierceness one would expect from a killer. He portrays Jack as a man always of the mind. He makes him a man who is always clearly thinking and calculating as the trained killer should.

There is a great difference between Jack and the Jackal though since the Jackal was a soulless man willing to kill anyone to complete the job, Jack actually has a soul. Clooney is very affecting in his portrayal of this man who frankly has just killed too many and seen to many double crosses in his time. In this vein he reminded me of Richard Burton as Alec Leamus in The Spy Who Came in From the Cold particularly by the subtle method in which he expresses the pain Jack is going through. This is probably the least that Clooney has ever spoken in a film, and he handles the often silent role so well. He is great in just the scenes of Jack listening particularly in the presence of a kindly priest. Clooney powerfully shows Jack's regrets simply in his expression as the priest talks about sin.

This is a strong performance from Clooney throughout but he especially succeeds in the part near the end as Jack sees things closing around him. One single stunning moment comes in his performance as he believes he once again has to murder someone who has become close to him. The moment is brilliantly played by Clooney as he makes despair mounts as Jack is forced to prepare for the kill. It is a beautiful moment so quietly played and realizes the troublesome condition of this man so effectively. At the end of the film as Jack rejects the mission this could easily be the time for Clooney to drop Jack's nature and go to his old tricks as an actor but he doesn't. He keeps going within this downplayed approach where we really can truly feel the struggle that Jack is facing.

The final moments of his performance are terrific, and Clooney could not play them better frankly. Jack's true feelings finally come out, but Clooney does not reject his portrayal of Jack for these moments. He stays with the character still and succeeds in bringing the poignancy at the end by subtly showing the intensity of Jack's emotions slowly builds as he sees his future slipping away. It is a very moving end to the film, and Clooney delivers. So there, here is a performance by George Clooney honestly gives a very strong portrayal of a character because he goes straight through the film with the character. He carries this film not through his usual method, but by dialing back his own manner and gets to the core of his character.
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Wednesday, 10 April 2013

Alternate Best Actor 2010: Choi Min-sik in I Saw The Devil

Posted on 16:07 by pollard
Choi Min-sik did not receive an Oscar nomination for portraying Kyung-chul in I Saw The Devil.

I Saw the Devil is an engrossing and stylish thriller, although definitely not one for the squeamish, about a secret agent who goes about seeking revenge against a serial killer who murdered his fiancee.

Choi Min-sik, who I last reviewed in his terrific no holds barred performance in Oldboy, plays the serial killer of the film and certainly has a somewhat different approach here. Min-sik has a terrific screen presence and he owns the film in the same way as he did in Oldboy. This time though he does not portray the loopy hero of Oldboy, instead he plays the extremely sinister murderer here. Min-sik is horrifying here in his two early scenes where he murders two women. Min-sik's manner of portraying the killer is particularly frightening because of how much he downplays these scenes, especially the second scene where Kyung-chul actually sort messes up his way as he struggles to find his murder weapon in the back seat of his car while his soon to be victim looks on.

Min-sik is especially disturbing because he doesn't show the murders as anything special to Kyung-shul they are just kind of a day to day thing for him from the casual manner he approaches them. Min-sik has Kyung-shul go about it in a slow not all rushed way he smokes he takes his time, and he never seems to rush. Min-sik by taking this approach is especially chilling because it is clear that  he has done this before, many times in fact, and to certain degree it has become basically a routine for him. There is a soullessness in Min-sik's performance that is quite unnerving. The only time he seems all that active is when he goes in his attack where the inner monster comes out and the full brutality of Kyung-shul is seen, and that all he is quite obviously a maniac.

Min-sik makes Kyung-shul especially off putting because of how nonchalant he is in portraying the killing. This is actually trickier than it sounds as it could be played wrong and it would seem just like a disinterested actor, Min-sik handles it brutally well in really allowing us to see that there is a history of this killer and it is a very long one indeed. What compels him to commit such atrocities is never exactly stated in the film, but Min-sik alludes to it well in his portrayal. Firstly through just that complete lack of empathy in his performance, there is such a harrowing quality Min-sik brings to the role that paints Kyung-shul as a truly hollow man. Min-sik as well suggest that in Kyung-shul there is a hatred in him toward women that Min-sik does not shy away from showing it to be as despicable as it is.

The tables are turned on Kyung-shul though when the secret agent Kim Soo-hyeon (Lee Byung-hun) tracks him down. The twist is though when the agent finds him he doesn't kill the serial killer instead to act revenge he purposefully lets him live to keep torturing him. As Min-sik so brilliantly changed in Oldboy whenever his character had to massively change very quickly, he is just as efficient here although the change this time is far from permanent. Min-sik changes a bit showing Kyung-shul's confusion at the situation more than anything, but also a bit of a revelation as he almost seems firmer in his resolve to do whatever he feels likes, and again Min-sik is scary as hell when he intimidates a doctor and nurse shortly after having been treated by them. Kyung-shul's joy is short lived though as the agent makes it clear the first beat down Kyung-shul was only the beginning.

Choi Min-sik is terrific as Kyung-shul stops being the hunter and instead is instead the hunted. Min-sik is very effectively as he shows that Kyung-shul quickly loses his confidence of before and increasingly becomes a man filled with desperation. Min-sik is able to bring the fears alive in him, and interestingly as he starts to show him as the mouse begins to at least to allude to some humanity although only in its most basic form. Kyung-shul becomes a frightened man himself, and Min-sik brings this fear alive brilliantly by making it a counterpoint to the earlier behavior of the killer. When the killer had the power there was nothing but the hollow inhuman shell, but as soon as he faces being the victim Min-sik believably changes him into a cowering with honest human emotion.

After learning of how the agent is keeping tabs on him Min-sik again transforms Kyung-shul once again. Kyung-shul gains his confidence back again, but he keeps his humanity, though not in a good way. Min-sik portrays Kyung-shul at his fiercest as he determines to specifically target the agent for revenge. Min-sik now turns him into a very imposing villain and makes it clear that Kyung-shul is not a man you want to give a task to. Miin-sik is marvelous just to watch as he shows Kyung-shul become a man entirely in his element and is truly disturbing as portrays the extent he will go to seek his revenge. Kyung-shul's final murder is very personal suddenly and Min-sik shows the difference in the intense manner he portrays both Kyung-shul's anger and glee in his new situation.

This brings Kyung-shul to the final scene when he and the agent finally face off man to man by this point both having a great deal of blood on their hands. Although Lee Byung-hun is fine as the agent the scene absolutely belongs to Min-sik the entire time as he gives the full portrait of a man who is coping with the fact that he going to be killed very soon. It is all in one scene but Min-sik runs through the emotions powerfully without a moment of disconnect between the phases for Kyung-shul. He shows a whimpering man pleading for his life as he sees it closing around him. Min-sik brings this to him becoming defiant and very chilling as Kyung-shul basically tells the agent that all of his efforts have been a waste, and Min-sik succeeds in bringing the central theme about the hollow nature of revenge to life. At last though he is left as a man holding on to life literally by his teeth, and he loses that last ounce of defiance he had left. 

The very last scene is an amazing scene even though you get none of the gratification one would expect when the villain of a film gets his comeuppance. Min-sik holds nothing back and brings the unflinching horror of the moment through his performance. It is one last moment for Kyung-shul as Min-sik shows him reduced to be the opposite of what he was at the beginning. Where he was at first a soulless killer Min-sik leaves him as just a ball of emotions of sadness and pain as he struggles not only not to die, but as well to spare his family from seeing what the end of his monstrous actions has brought. It is an unforgettable scene, and it works because Min-sik absolutely earns the moment through his portrayal of Kyung-shul's transformation throughout the film. This is a tremendous performance by Choi Min-sik as he is a terrifying, imposing, and disturbing villain, while never once failing to meet the needs of the extreme emotional changes of his character.
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Posted in 2010 Alternate Best Actor, Choi Min-sik | No comments

Tuesday, 9 April 2013

Alternate Best Actor 2010

Posted on 11:49 by pollard
And the Nominees Were Not:

Choi Min-sik in I Saw The Devil

Robert Duvall in Get Low

Ryan Gosling in Blue Valentine

George Clooney in The American

Andy Serkis in Sex & Drugs & Rock & Roll
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Posted in 2010 Alternate Best Actor, Andy Serkis, Choi Min-sik, George Clooney, Robert Duvall, Ryan Gosling | No comments

Alternate Best Supporting Actor 1991: Results

Posted on 08:36 by pollard
5. Samuel L. Jackson in Jungle Fever- Jackson gives a very good performance playing his crack addict quite effectively, and is easily the best part of his film.

Best Scene: Gator tries to get money from his mother one time too many. 
4. Laurence Fishburne in Boyz N The Hood- Fishburne gives a strong performance portraying both the kind wisdom and the strength of his character's authority in equal measure.

Best Scene: Furious gives his son words to live by. 
3. Ted Levine in The Silence of the Lambs- Levine goes for playing Buffalo Bill as just downright disturbing and succeeds at being so.

Best Scene: You know the line. 
2. Gary Oldman in JFK- Oldman gives a compelling performance as Lee Harvey Oswald that accomplishes making him into a fascinating character despite only appearing in brief and often silent flashbacks.

Best Scene: The flashbacks of Oswald on the day of the assassination. 
1. John Goodman in Barton Fink- My pick of the five and win overall goes to John Goodman for his portrayal here. Goodman is absolutely brilliant in his portrayal that is charming, humorous, heartbreaking and chilling all as the same character.

Best Scene: The Life of the Mind. 
Overall Rank:.
  1. John Goodman in Barton Fink
  2. Anthony Hopkins in The Silence of the Lambs
  3. Gary Oldman in JFK
  4. Joe Pesci in JFK
  5. Ted Levine in The Silence of the Lambs
  6. Tommy Lee Jones in JFK
  7. Laurence Fishburne in Boyz N The Hood
  8. Donald Sutherland in JFK
  9. Samuel L. Jackson in Jungle Fever
  10. Robert Patrick in Terminator 2: Judgement Day
  11. Ice Cube in Boyz N The Hood
  12. Charles Bronson in The Indian Runner
  13. Rip Torn in Defending Your Life
  14. Alan Rickman in Robin Hood: Prince of Thieves
  15. Roy Scheider in Naked Lunch 
  16. Jack Lemmon in JFK
  17. Harvey Keitel in Thelma and Louise 
  18. Tony Shalhoub in Barton Fink
  19. Kevin Bacon in JFK 
  20. Dustin Hoffman in Hook 
  21. Michael Lerner in Barton Fink
  22. John Mahoney in Barton Fink
  23. William Richert in My Own Private Idaho
  24. John Turturro in Jungle Fever
  25. Ian Holm in Naked Lunch
  26. Cuba Gooding Jr in Boyz N The Hood
  27. Michael Rooker in JFK
  28. Jon Polito in Barton Fink
  29. John Candy in JFK 
  30. Scott Glenn in The Silence of the Lambs
  31. Joe Mantegna in Bugsy 
  32. Lloyd Bridges in Hot Shots!
  33. Dan Hedaya in The Addams Family 
  34. Dante Basco in Hook
  35. Jay O Sanders in JFK
  36. Robert Mitchum in Cape Fear
  37. Bob Hoskins in Hook 
  38. Jack Palance in City Slickers
  39. Harvey Keitel in Bugsy
  40. Anthony Heald in The Silence of the Lambs
  41. Kyle MacLachlan in The Doors
  42. Morgan Freeman in Robin Hood: Prince of Theives
  43. Bruno Kirby in City Slickers
  44. Cary Elwes in Hot Shots!
  45. Edward Asner in JFK
  46. Ossie Davis in Jungle Fever
  47. Joe Don Baker in Cape Fear
  48. Michael Jeter in The Fisher King
  49. Elliot Gould in Bugsy
  50. Rick Moranis in L.A. Story
  51. Walter Matthau in JFK
  52. Morris Chestnut in Boyz N The Hood 
  53. Noble Willingham  in The Last Boy Scout
  54. Brad Pitt in Thelma and Louise
  55. Ben Kingsley in Bugsy
  56. Michael Madsen in Thelma and Louise
  57. Brian Doyle Murray in JFK
  58. Charlie Korsmo in Hook
  59. Martin Short in Father of the Bride 
  60. Daniel Stern in City Slickers
  61. Richard E. Grant in L.A. Story
  62. Taylor Negron in The Last Boy Scout
  63. Christopher McDonald in Thelma And Louise
  64. Anthony Quinn in Jungle Fever
  65. Sean Connery in Highlander II
  66. Jessie Ferguson in Boyz N The Hood
  67. Michael Ironside in Highlander II
  68. Spike Lee in Jungle Fever
  69. John Candy in Nothing But Trouble
  70. Dan Aykroyd in Nothing But Trouble
  71. John C. McGinley in Highlander II
  72. Jeroen Krabbe in The Prince of Tides
  73. Jason Gould in The Prince of Tides
Next Year: 2010 Lead
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Posted in 1991 Alternate Supporting, Gary Oldman, John Goodman, Laurence Fishburne, Samuel L. Jackson, Ted Levine | No comments

Alternate Best Supporting Actor 1991: Ted Levine in The Silence of the Lambs

Posted on 06:53 by pollard
Ted Levine did not receive an Oscar nomination for portraying Buffalo Bill in The Silence of the Lambs.

The Silence of the Lambs features two serial killers the iconic Hannibal Lecter and the other being Buffalo Bill. Where Anthony Hopkins portrayed Lecter as an evil vicious killer but an intelligent one. Ted Levine portrays Buffalo Bill as a far more straight forward, as straight forward as a serial killer can be anyway, killer. Levine method of portraying Bill is pretty much being as downright creepy as possible in his portrayal. Bill does not have an artistic bent like Lecter, well actually he does but it is a very disturbing one, and he is just a very gritty killer that is just an unpleasant sight to behold. He does not have any lines like Quid Pro Quo, he only has the sick things he does.

Levine does his part, and actually his performance is the perfect counter point to Anthony Hopkins more refined work. Where Lecter is always at that certain level where the killer and the intellectual are apparent at the same time Levine shows the different sides as we do see a few brief glimpses of Bill pretending to be a normal man. Levine is quite good in these moments showing Bill as being able to hold in his true self appearing as a strange older man, but there is not necessarily any reason to suspect that he is a horribly deranged man either. Levine allows for Bill to at least exist as a man who would not be immediately suspected, and could reasonably be a just a quirky loner.

The rest of the time we see Bill as himself in his dungeon like basement where he torments his latest victim. Levine goes about being as creepy as possible as Buffalo Bill and is extremely effective at doing so because he is worst of all believable in the role. Everything he does is quite odd and only contributes in presenting the  mind in Bill. His most chilling scene being when he tells his current victim to put the lotion on his skin. The way Levine changes the tone of his voice, as well as the way he almost seems to be tearing up all adds to the derangement that is Bill. Levine doesn't shy away by just how sick in the mind Bill truly is leaving him a brutally effective villain.

Levine fulfills his role of Buffalo Bill particularly well, by taking the blunt approach he has with he part. It actually could have been quite problematic for the film if Bill seemed to be a copy of Lecter or in some way was trying to one up him. Levine completely different approach than Hopkins makes it so both killers can exist in the film without there being any sort of repetition involved. Hopkins takes his flowery approach to Lecter and Levine effectively counters this through his approach which is just a downright dirty depiction. Levine by taking his method that is completely different than Hopkins properly stands on his own and delivers his own strong characterization even if the end result is not as iconic as Hopkins's.
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Monday, 8 April 2013

Alternate Best Supporting Actor 1991: Laurence Fishburne in Boyz N The Hood

Posted on 16:08 by pollard
Laurence Fishburne did not receive an Oscar nomination for portraying Jason "Furious" Styles in Boyz N The Hood.

Boyz N The Hood is a very well made film depicting the lives of three black youths in a Los Angeles ghetto.

Laurence Fishburne portrays Furious who is the father of one of the boys Tre (Cuba Gooding Jr.). In terms of the film Furious seems to be the only father present in the place. There are other people with children but Fishburne's character is the only one who seems to take the responsibility to be a proper father. Fishburne's performance very much stands out as he creates the only real authority figure in the whole film who actually knows what he is doing. Fishburne importantly right form the get go makes it clear that Furious is going to stand out as a character who stands firm in the film who stands straight up to the task of being a man who will actually do what must be done to make his son turn out right.

Fishburne is very effective in the role by taking a determined straight forward approach with the character of Furious. He realizes quite well who takes a stern approach to raising his son to ensure that his son does not fall to the various problems that face him growing up. Fishburne's performance works because he does not stress just one aspect of Furious as a father but instead combines the elements of the man. Fishburne gets across that Furious is firm, he is unrelenting in his manner and is the powerful presence he should be. There is a clear determination in his performance that always succeeds in getting across the strength of Furious as a man and makes it clear that Furious is a man who will make Tre the man he should be.

Fishburne gets across the stern qualities of Furious well but just as well he gets across that Furious very much loves his son. Fishburne has some natural chemistry with both Gooding Jr. and Desi Arnez Hines II who play the old and young Tre respectively. Fishburne has some well placed warmth in his performance. He shows Furious to always be interested and welcoming in his manner of dealing with his son yet. Fishburne has an energy and he succeeds in making Furious an encouraging figure and a wise one. Fishburne is very good in all of the scenes where Furious delivers one of his sermons because he always succeeds in portraying his knowledge in a firm fashion that always suggests the good intentions within what he says.

This is a strong performance by Fishburne and he stands well as the good stable presence within a film that is anything but otherwise. He meets of the demands of his character very well because he does not make Furious just one type of father. He brings about the firmness and shows exactly why Furious's does succeed with his son and why Tre ends up turning out the right way. He combines the aspects of the authority figure who keeps his sons problematic tendencies in check but as well as caring father to Tre equally well. Fishburne fulfills his role in the film efficiently bringing his character to life, and through his performance showing not only what Furious does for Tre, but as well why it is such a problem that the other boys do not have someone like Furious to look up to.
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Posted in 1991 Alternate Supporting, Laurence Fishburne | No comments
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Blog Archive

  • ▼  2014 (154)
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      • Alternate Best Actor 1997: Russell Crowe and Guy P...
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      • Alternate Best Actor 1997
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      • Alternate Best Actor 1942: Results
      • Alternate Best Actor 1942: Tim Holt in The Magnifi...
      • Alternate Best Actor 1942: Pierre Fresnay in The M...
      • Alternate Best Actor 1942: Joel McCrea in The Palm...
      • Alternate Best Actor 1942: Noel Coward in In Which...
      • Alternate Best Actor 1942: Alan Ladd in This Gun F...
      • Alternate Best Actor 1942
      • Alternate Best Supporting Actor 1979: Results
      • Alternate Best Supporting Actor 1979: James Remar ...
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      • Alternate Best Supporting Actor 1979: Michael Pali...
      • Alternate Best Supporting Actor 1979: Dennis Hoppe...
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