Alternate Best Supporting Actor 1945: Mercel Herrand in Children of Paradise and Results

Mercel Herrand did not receive an Oscar nomination for portraying Pierre Francois Lacenaire in Children of Paradise.

Herrand comes in and out of the film as Pierre Francois Lacenaire an outlaw who passes his time around the theater world acting as a writer, or at least claiming to be but his true calling is that of crime. Lacenaire is a most strange sort of outlaw in that it does not seem to be that he needs to be an outlaw for monetary needs necessarily, but he rather finds that it is his true calling is to eventually be executed for his life of crime. Herrand's performance is quite remarkable in that he makes this very strange thief oddly believable even though he is basically an criminal who seems as though he eventually wants to be caught for his crimes as if it is some sort of destiny for himself.

Herrand's portrayal is an odd yet very compelling combination of things for his performance. He has a very low key yet substantial charm in the role as he is always a suave presence in every scene that he is in. There is even more to it then just that though as in most scenes he comes across as an amiable sort of man who is very easy to like, and he makes it extremely easy to see through Herrand's performance how so many of the character's would allow him to keep company with him even though Lacenaire is not exactly tight lipped about his activities. Herrand keeps this terrific magnetism in his work and he turns Lacenaire's particular method of living always something completely captivating to watch. 

Herrand though does far more than simply act as a charmer though and what makes this performance particularly striking is that he always keeps the criminal well in sight. Herrand even when Lacenaire is being charming carries himself with a very natural menace in every one of his scenes. When he appears in a room it is always a question on whether Lacenaire will treat who is calling upon with an assault or a friendly greeting because Herrand eyes creates a perfect mix of charming glance and a chilling glare. Herrand keeps one guessing at Lacenaire's motives for any moment making him one fascinating figure in the film who you always remember even though the character often takes long absences throughout the long story.

Herrand makes Lacenaire almost a time bomb in the film up until his very best scene in the film where Lacenaire decided to indulge in a little murder, and even after the murder decides to stay in Paris just because he does not wish to face a country executioner. Herrand is very chilling in the scene because everything that Lacenaire does in the scene from the killing which in itself seems for such a slight reason, to his choosing to stay is made entirely natural to the character through Herrand's performance. Mercel Herrand creates a very interesting portrait of this unique criminal who takes pride in basically creating notoriety as a criminal, something most successful criminals would try to avoid.

Some Other Performances:

Dan Duryea in Scarlet Street- Duryea played all of Fritz Lang's sleaze balls in the mid forties with his best portrayal of one being his somewhat limited role in The Ministry of Fear. Although that was the most limited character in a Lang film, but he had one great scene. Here he does not have any great scenes as he plays the one side of a sleazy couple who abuses an older man. Duryea is good in the role in just playing up the slime up of the character, and never suggesting that there is anything to the man other than his lack of morality. At the end of the film though his character finds himself in some great trouble. Duryea does makes you feel slightly sorry for the slime ball because he makes so easy to believe that no one would believe his innocence of the crime because well he just looks so guilty. 

Barry Fitzgerald and Walter Huston in And Then There Were None - Agatha Christie's characters are not always the most complex often defined by the broad strokes behind their profession leaving a challenge for the actor to make the character interesting even though there is not a great deal to them. Well this film version has two expert scene stealing actors with Fitzgerald and Huston. Both are quite adept at giving the right energy to the proceedings through their usual lively style of performance. They both give just enough fun and humor in their work while still being able to pull it back for the moments that need a bit more dramatic emphasis. Far from either of their best work, but nevertheless they both do a pretty splendid job.

Overall Rank:

1. James Dunn in A Tree Grows in Brooklyn
2. Mercel Herrand in Children of Paradise
3. Michael Chekhov in Spellbound
4. Barry Fitzgerald in And Then There Were None
5. Robert Mitchum in The Story of G.I. Joe
6. Walter Huston in And Then There Were None
7. Sydney Greenstreet in Conflict 
8. Dan Duryea in Scarlet Street
9. Sydney Greenstreet in Christmas in Connecticut
10. Richard Haydn in And Then There Were Not
11. Freddie Steele in The Story of G.I. Joe
12. S.Z. Sakall in Christmas in Connecticut
13. James Gleason in The Clock
14. Susumu Fujita in The Men Who Tread on the Tiger's Tail
15. Pierre Renoir in Children of Paradise
16. Cecil Parker in Caesar and Cleopatra
17. Leo G. Carroll in Spellbound
18. Roland Young in And Then There Were None
19. Masayuki Mori in The Men Who Tread on the Tiger's Tail
20. Ted Donaldson in A Tree Grows in Brooklyn
21. J. Carrol Naish in A Medal For Benny
22. Louis Salou in Children of Paradise
23. Lloyd Nolan in A Tree Grows in Brooklyn
24. Ernest Thesiger in Caesar and Cleopatra
25. Herbert Lom in The Seventh Veil
26. James Gleason in A Tree Grows in Brooklyn
27. Vito Annicchiarico in Rome, Open City
28. C. Aubrey Smith in And Then There Were None
29. Takash Shimura in The Men Who Tread on the Tiger's Tail
30. Vincent Price in Leave Her to Heaven
31. Howard Da Silva in The Lost Weekend
32. Stanley Holloway in Brief Encounter
33. Henry Travers in Bells of Saint Mary's
34. Mischa Auer in And Then There Were None
35. Kenichi Enomoto in The Men Who Tread on the Tiger's Tail
36. Cyril Raymond in Brief Encounter
37. Ray Collins in Leave Her to Heaven
38. Hugh McDermott in The Seventh Veil
39. Ward Bond in They Were Expendable 
40. Stephen Bekassy in A Song to Remember
41. Frank Sinatra in Anchors Aweigh
42. Stanley Holloway in Caesar and Cleopatra
43. Jack Holt in They Were Expendable
44. Stewart Granger in Caesar and Cleopatra
45. Eduardo Passarelli in Rome, Open City
46. Frank McHugh in A Medal for Benny 
47. Charles Drake in Conflict
48. Reginald Gardiner in Christmas in Connecticut
49. Dean Stockwell in Anchors Aweigh
50. William Gargan in Bells of Saint Mary's
51. John Emery in Spellbound
52. Ivan Triesault in A Song to Remember
53. Phillip Terry in The Lost Weekend
54. John Dall in The Corn is Green
55. Edmund MacDonald in Detour
56. Basil Sydney in Caesar and Cleopatra

Next Year: 1934 lead

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Alternate Best Supporting Actor 1952: Barry Fitzgerald in The Quiet Man and Results

Barry Fitzgerald did not receive an Oscar nomination for portraying Michaeleen Oge Flynn in The Quiet Man.

I would choose Victor McLaglen as Will Danaher out of the official Oscar nominees for 1952, but actually his performance is not even my favorite performance from this film. The Quiet Man has a strong supporting cast with one of Ford's old favorites Ward Bond giving a very enjoyable performance as the Irish villages priest, as well as Arthur Shields, Barry Fitzgerald's brother, gives a nice warm performance as the one man who knows Sean Thornton's (John Wanye) secret, and all just the small bit parts are nicely chosen in a way in which they create a very unique atmosphere. Then there is Barry Fitzgerald who plays Michaeleen Flynn who is the town's carriage driver, the match maker, and the bookie.

This is actually quite a different performance from Fitzgerald's Oscar winning performance in Going My Way, which was actually fairly understated work as a modest man. Michaeleen is many things, but one thing he is not is modest. Fitzgerald plays the scene stealing performance of the film and knows that fact. I have to say that this actually could have been easily one of those parts that is a little too much, and a little too lively of a character for his own good, but that is not the case because of Fitzgerald. Fitzgerald is an extremely endearing presence and he has such a wonderful charm with his rather particular accent as well as just his whole manner in this performance.

Fitzgerald makes Michaeleen the little man who always stands out as well as stands in everyone's business, and Fitzgerald is a great deal of fun as Michaeleen tries to orchestrate the marriage for Sean and Mary Kate Danaher (Maureen O'Hara) despite the strong objections of her brother. One Fitzgerald's best moments is when he convinces Will Danaher that getting ride of his sister will allow himself to get a wife is perfectly played. Fitzgerald is so gentle in slyness yet has a the right impact to make completely believable that Michaeleen would be able to pull the trick over on Danaher without a hitch to his plan.

Fitzgerald adds so much with his performance, and one of these reasons for this is he has a great dynamic with John Wayne. Where Wayne often is The Quiet Man, Fitzgerald often is not. They both react to one another in a marvelous fashion, and Fitzgerald has some marvelous moments when Michaeleen gently and often in a comedic fashion will correct or inform Sean about something about Ireland. Fitzgerald combines some nice jabs at the Yank as they refer to Sean as, but alone with that Fitzgerald is always very welcoming in his performance showing a genuine friendship as well.

Fitzgerald is excellent in meeting the tone of the film as well as in part creating that tone with his performance. The tone being that it is mostly a comedy, but a comedy that allows some seriousness. Fitzgerald maneuvers this possibly the most as he will go from being entirely amusing to conveying some drama in a single scene. The reason is works in Fitzgerald's performance is he never overplays the comedy even though he is very funny throughout the film. By not overdoing it though and important not becoming just a caricature, when Michaeleen does express some honest grief over the mess that he in part has created Fitzgerald does make it honestly moving without compromising his character.

This is all around just a great example of what a supporting performance should do. Fitzgerald whether it is through just a quick momentary reaction to something like his brilliant one for when Thornton knocks out Danaher, or something more when tells the whole crowd stand neutral for the big fight between Thornton and Danaher he always makes these moments to be properly humorous all the while still making this all fit into the story beautifully. Fitzgerald makes every scene all the better with his terrific work here that creates just a very likable character from Michaeleen Flynn which complements the whole film in simply a wonderful fashion.

Other Performances From This Year:

James Stewart in The Greatest Show On Earth- Stewart has actually a very bizarre role as a clown who never takes off his makeup and the reason is that he actually hiding from the police as he use to be doctor who had to run from the law because he euthanized is wife. Really Stewart's whole story is quite odd in the schemes of things of the film that is pretty light weight otherwise. Stewart though does sell his performance nevertheless and is easily the best part of this otherwise weak film. He is quite good suggesting the underlying secret in his character quite well throughout the film, while seeming just to be a supportive friend the rest of the time. Stewart's performance makes his character seem less pointless because his performance is entirely solid, although his impact is diminished a bit I must say when all the other characters seem to forget that he existed after Buttons is taken away at the end.

Donald O'Connor in Singin' in the Rain- I have to confess I do not really care much for Singin in the Rain. I don't mind that people enjoy it, but I personally don't really like this kind of musical. It also does not help matters that I've never cared for Gene Kelly doing his Gene Kelly thing. O'Connor's performance as Kelly's character's friend Cosmo Brown is very much like Kelly's except his character never has any "dramatic" moments and is most just there to brighten things up. I will definitely give O'Connor credit he does everything to brighten things up, and his seemingly infinite energy particularly the Make Em Laugh number where he is literally running up the walls. He contorts his face, sings gleefully, jumps up and down and all around in this performance. The only problem was this performance just does not entertain me personally, and I can see he definitely is trying very hard to, and I can at least see why people love this performance even if I don't.

Arthur Kennedy in Bend of the River- Arthur Kennedy plays Emerson Cole a mysterious man whose James Stewart's character comes across just before he is about the be hanged. Kennedy actually is pretty good in the role early on having a certain likability even while his character seems like he might be just a little too good with his knife and gun. He finds the right tone for his character early on as he balances that efficiency with killing along with a certain friendly attitude. This goes away unfortunately in the third act of the film when Cole goes full villain is not the highlight of his performance but in fact the low point. He becomes just kind of one note and everything he built on earlier is completely forgotten about. Kennedy overall does give a decent performance but it is a missed opportunity because of the last third.

Toshiro Mifune in The Life of Oharu- This is a rather different character for Mifune. One big difference is it a small supporting part, his part in the Idiot was rather large in comparison, and Mifune exists the picture only twenty five minutes in. This character is also very different in that Mifune plays a meek character. Even when he played the doctor in The Quiet Duel he might have been quiet but he still had a strong will. In this film though Mifune plays a page named Katsunosuke who has an affair with a higher class prostitute and is executed after the affair is discovered. This is a short simple character, but I will give Mifune the credit he deserves for trying to get the most from the character as well as being believable as the page. For once Mifune actually is pretty meek and not all that distinct of a personality here, but doesn't just slip into the background either. Mifune in short screen time does manage to show us a foolish romantic and shows him to basically plead with woman Oharu to have an affair. Mifune although meek makes it believable because he is only genuine in these pleads. Quickly he is caught and executed, but Mifune still has a strong scene as Katsunosuke expresses grief not for himself, but rather the unloved Oharu. He is believable in this selflessness of character, and finds the right power in the man's last action. This obviously is not up there with Mifune's lead performances, but this is a good performance from him nevertheless.

Overall Rank:

1. Barry Fitzgerald in The Quiet Man
2. Victor McLaglen in The Quiet Man
3. Anthony Quinn in Viva Zapata!
4. James Stewart in The Greatest Show on Earth
5. Toshiro Mifune in The Life of Oharu
6. Arthur Shields in The Quiet Man
7. Ward Bond in The Quiet Man
8. Arthur Hunnicutt in The Big Sky
9. Jack MacGowran in The Quiet Man 
10. Arthur Kennedy in Bend of the River
11. Buster Keaton in Limelight 
12. Eddie Albert in Carrie
13. Donald O'Connor in Singin' in The Rain
14. Harou Tanaka in Ikiru
15. Sean McClory in The Quiet Man
16. Nigel Bruce in Limelight
17. Miles Malleson in The Importance of Being Earnest
18. Shinichi Himori in Ikiru
19. Charles FitzSimons in The Quiet Man 
20. Francis Ford in The Quiet Man
21. Herbert Marshall in Angel Face
22. Lloyd Bridges in High Noon
23. Michael Rennie in 5 Fingers
24. Jim Backus in Angel Face
25. Leo G. Carroll in The Snows of Kilimanjaro
26. Leon Ames in Angel Face
27. Henry Morgan in Bend of the River
28. James FitzSimons in The Quiet Man
29. Thomas Mitchell in High Noon 
30. Joseph Wiseman in Viva Zapata!
31. Dick Powell in The Bad and the Beautiful
32. Henry Morgan in High Noon
33. Gilbert Roland in The Bad and the Beautiful
34. Jay C. Flippen in Bend of the River
35. Lon Chaney in High Noon
36. Ichiro Sugai in The Life of Oharu
37. Barry Sullivan in The Bad and the Beautiful
38. Walter Pidgeon in The Bad and the Beautiful
39. Ray Teal in Carrie
40. Alan Reed in Viva Zapata!
41. Walter Hampden in 5 Fingers
42. Rock Hudson in Bend of the River
43. Jukichi Uno in The Life of Oharu
44. Otto Kruger in High Noon
45. Bobby Watson in Singin' in The Rain
46. Richard Jaeckel in Come Back, Little Sheba
47. Millard Mitchell in Singin' in The Rain
48. Steven Geray in The Big Sky
49. Lawrence Tierney in The Greatest Show on Earth
50. Douglas Fowley in Singin' in The Rain
51. Jim Davis in The Big Sky
52. Lyle Bettger in The Greatest Show on Earth

Next Year: 1938 Lead

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