Alternate Best Actor 1968: Results

5. Leonard Whiting in Romeo and Juliet- Whiting gives an earnest performance even though he is overshadowed by most of the cast around him.

Best Scene: Romeo sees Juliet for the first time. 

4. Boris Karloff in Targets- Karloff gives an entertaining performance that is a very nice reflection on his entire career.

Best Scene: The old monster stands up to the new one. 

3. Zero Mostel in The Producers- Mostel gives an enjoyable performance that leads his film well being a comedic as well as likable con man.

Best Scene: Max and Leo first meet. 

2. Walter Matthau in The Odd Couple- Matthau gives an entertaining performance which succeeds in creating a memorable dynamic with his co-star Jack Lemmon.

Best Scene: Oscar is finally pushed too far by Felix's behavior.

1. Henry Fonda in Once Upon a Time in The West- Fonda easily wins from this line up, but I am not sure about the entire year yet. As I will probably be watching the Lion in Winter again soon I'll be able to be sure then. Anyway Fonda is at least gives one of the greatest performances of 1968 by turning his usual screen persona into a very memorable and chilling villianous turn that helps makes his film as great as it is.

Best Scene:  Frank and Harmonica's duel.

1. Henry Fonda in Once Upon a Time in The West 
2. Peter O'Toole in The Lion in Winter
3. Jack Albertson in The Subject Was Roses
4. Tatsuya Nakadai in Kill!
5. Charles Bronson in Once Upon A Time in The West
6. Alan Bates in The Fixer
7. Walter Matthau in The Odd Couple
8. Martin Sheen in The Subject Was Roses
9. Zero Mostel in The Producers
10. Boris Karloff in Targets
11. Richard Burton in Where Eagles Dare 
12. Jack Lemmon in The Odd Couple
13. Steve McQueen in Bullitt
14. Cliff Robertson in Charly
15. Etsushi Takahasi in Kill!
16. Ron Moody in Oliver!
17. Alan Arkin in The Heart is a Lonely Hunter
18. Duane Jones in Night of the Living Dead 
19. John Marley in Faces
20. Leonard Whiting in Romeo and Juliet
21. Clint Eastwood in Where Eagles Dare
22. Keir Dullae in 2001: A Space Odyssey
23. Charlton Heston in Planet of the Apes
24. Steve McQueen in The Thomas Crown Affair
25. Tim O'Kelly in Targets
26. William Sylvester in 2001: A Space Odyssey
27. Mark Lester in Oliver!

Next Year: 1968 Supporting 

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Alternate Best Actor 1968: Walter Matthau in The Odd Couple

Walter Matthau did not receive an Oscar nomination, despite being nominated for a Golden Globe, for portraying Oscar Madison in The Odd Couple.

The Odd Couple is probably the best film made out of a Neil Simon play. It tells the story of a recently divorced clean freak Felix (Jack Lemmon) who moves in with his messy friend who also is divorced.

Walter Matthau plays Oscar Felix's messy friend. Matthau apparently wanted to play Felix as the character was far less like his own personality, but Neil Simon forced him to play Oscar. Although it certainly would have been interesting to see Matthau attempt to play a tightly wound guy like Felix, but Matthau simply fits the role of Oscar like a glove. From his first scene he just gets the style down of Oscar who really can't help but be a bit of a slob. In the moment there is not anything about what he does that seems to be reaching in Oscar's messiness Matthau makes Oscar a genuine slob.

Matthau takes a slight comedic pitch throughout his performance that he know how to handle in just the right way. Where Jack Lemmon (Who bests Matthau most of the time when it comes to dramatic roles) sometimes goes a little too far to be funny which he does in just a few moments in this film, particularly in the scene where he tries to clear his head, where is Matthau takes a more natural approach with Oscar. Where Felix is insanely active with his behavior that is fairly extreme whether it is his emotional troubles or his tendency to want to clean everything. Matthau is excellent by taking the easy approach and having Oscar just a laid back sort of guy.

In their first team up, which was The Fortune Cookie, I found that Matthau basically stole the whole movie from Lemmon. In this team up the pairing makes more sense. Although I still feel that Matthau is the one who is crowned best in show they both play off each other well. Where Lemmon takes the more manic approach Matthau knows exactly how to play around this to be effective himself but in a way allow Lemmon's performance to be the way he is. The two set up the dynamic between the two marvelously by showing what makes the two the odd couple in the film in both the way that they are the complete opposites in their manner but as well why exactly they stay together as well.

Where Lemmon makes Felix go on about his own way which fits as Felix is a self-indulgent sort, Matthau really is the glue of the Odd Couple. Matthau finds just the right tone for Oscar throughout the film. He puts just the right amount of heart in his performance to show why Oscar would bother with Felix at all, it is very subtle, but Matthau very nicely adds this important facet to Oscar. Of course he keeps this in line well as this is a mainly comedic performance and in the comedic sense Matthau is terrific in the way he knows exactly when to underplay his role as Oscar but as well he knows when he needs to get a little more flamboyant in the role he knows exactly how to deliver in the role depending on the situation.

Matthau is hilarious in both styles whether it is in his exasperated reactions to Felix or his very well earned moments when he more directly confronts Felix for his antics. Matthau is consistently funny in this role being very likable in his role well still bringing about the uncouthness properly. He fulfills the main function of this role, which is to be humorous, very well yet he does manage even more with his role. He easily inserts the weightier moments well into his portrayal of Oscar without compromising the fact that this is mainly a comic role. This is an entertaining work by Matthau that shows his comedic abilities particularly well and makes the film really work on his shoulders. This is not only in the sense that he brings the material alive in a terrific fashion, but I just can't see how Lemmon could have gone without Matthau in this film.

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